Services
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Documentaries (note: click projectors to see excerpts)
| Not In Our Town - Class Actions | Directed by Patrice O'Neill & Adrienne Calo | Full Post-Production Sound and Mix | |
| Not In Our Town- Light in the Darkness | Directed by Patrice O'Neill & Adrienne Calo | Full Post-Production Sound and Mix | |
| Islands of Life | Directed by Bo Boudart, featuring Sidney Poitier | Full Post-Production Sound and Mix | |
| To Save a Life | Directed by Steven Pressman | Voice-over | |
| Connected: An Autoblogography of Love, Death, & Technology | Directed by Tiffany Shlain | Full Post-Production Sound and 5.1 Mix | |
| Rice Field of Dreams | Directed by Daron Ker | Full Post-Production Sound and Mix | |
| Anna Akhmatova | Directed by Helga Landauer | Full Post-Production Sound and Mix | |
| The Little Red Truck | Directed by Pam Voth and Rob Whitehair | Complete Post-Production Sound & Mix | |
| Delta Rising | Directed by Michael Afendakis | Sound Design, Music Recording, Music Editing, and Mix | |
| Shadow Work | Directed by Nigel Walker | Complete Post-Production Sound & Mix | |
| Atomic Flame | Directed by Matt Taylor | Voiceover, Mix | |
| Welcome to Nollywood | Directed by Jamie Meltzer, Produced by Henry Rosenthal | Complete Post-Production Sound, Score by Dave Nelson | |
| We Don't Play Golf Here - and Other Globalization Stories |
Directed by Saul Landau | Dialog Edit | |
| Audience of One | Directed by Michael Jacobs | Complete Post-Production Sound | |
| The Tribe: Barbie's 5000 Year History | Directed by Tiffany Shlain (Official Selection for 2006 Sundance Film Festival) |
Complete Post-Production Sound | |
| Who Needs Sleep? (Official Selection for 2006 Sundance Film Festival) |
Directed by Haskell Wexler | Complete Post-Production Sound | |
| 24 Hours on Craigslist | Directed by Michael Ferris Gibson | Complete Post-Production Sound | |
| Making it Right | Directed by Bob Gliner | Complete Post-Production Sound | |
| Lalo's Jerusalem | Directed by Sam Ball | Sound Design and Mix/ score composed by Dave Nelson | |
| My Best Friend, Klaus Kinski | Directed by Werner Herzog | Complete Post-Production Sound | |
| The Plot to Kill: Jesse James | Produced by Indigo Films for The History Channel | Complete Post-Production Sound | |
| Fire Next Time | Directed by Patrice O’Neill produced by the Working Group with KQED | Complete Post-Production Sound | |
| Five Days in March | Directed by Haskell Wexler | Complete Post-Production Sound | |
| Not in Our Town | Directed by Patrice O’Neill; Produced by the Working Group | Complete Post-Production Sound | |
| Opportunity Bound - Stories of the Harvey Girls | Produced by Katrina Drabkin | Dialog Edit | |
| Whose Children Are They Now? | Directed by Dorothy Fadiman | Complete Post-Production Sound | |
| Out in the Heartland | Directed by Gretchen Hildebran | Sound Design and Mix | |
| Poumy | Directed by Sam Ball | Sound Design and Mix | |
| Sarah and No-Name | Directed by Stokes McIntyre | Complete Post-Production Sound | |
| Seeds of Hope | Directed by Dorothy Fadiman | Complete Post-Production Sound | |
| Sweat Shop Warrior | The Working Group | Voiceover | |
| The Real Dirt on Farmer John | Produced by Teri Lang | 5.1 mix at Outpost Studios | |
| Life, Liberty and the Pursuit of Happiness | Directed by Tiffany Shlain | Post-Production Sound | |
| Born in the USA | Directed by Ken Schneider | Post-Production Sound | |
| Bus Rider's Union | Directed by Haskell Wexler | Post-Production Sound | |
| Test of Courage | Directed by Dave Keller | Post-Production Sound | |
| Regret to Inform | Directed by Barbara Sonneborn | Foley | |
| Kofi Annan | Sarah Jolly/Rovket Pictures | Post-Production Sound |






